Crew
Pipeline
Testimonial
EU Support
Digital Apes Ltd.
Veresegyház office –: H-2112 Veresegyház, Hármaskút u. 54.
Budapest office –: H-1151 Budapest, Felsőkert u 9.
Tel: +36 21 2020 234
Tel/Fax: +36 21 2020 235
info_digitalapes.com
Zoltán Benyó - managing director:
+36 209 117 118
Zoltán Szarvasi - managing director:
+36 309 865 296
Lajos Kondor post production supervisor
+36 30 331 56 88.
Our pipeline is based on Nuke and Houdini that deliver great performance and high flexibility. Although these tools are universal in many aspects, there are tasks requiring a different approach. Therefore, we follow up and use complementary software and maintain our access to such instruments as Smoke or Flame.
The server and render capacity of Digital Apes is based on high performance HP computers designed for this type of tasks. This basic capacity is backed by a well-tested relationship with hardware vendors that enables us to flexibly increase the rendering ability within hours in case of a bottleneck situation.
We thankfully and proudly announce that our technological development plan was found worthy by the National Development Agency for EU support. Digital Apes became participant of the New Hungary Development Plan gaining substantial support for technological development. As a result of it we became able to accelerate the construction of our pipeline purchasing high performance rendering capacity, servers and software.
Köszönettel és büszkén közöljük, hogy a Nemzeti Fejlesztési Ügynökség a Digital Apes Kft. technoló-giai fejlesztési tervét EU támogatásra méltónak találta. Az Új Magyarország Fejlesztési Terv résztvevő-jeként cégünk jelentősen fel tudta gyorsítani gyártási rendszerének kiépítési folyamatát elsősorban nagy teljesítményű szerverek, rendergépek és speciális szoftverek beszerzésével.
Going Postal, Denofgeek.com
" The sets, props and costumes are all first class as are the special effects. One highlight and visual accomplishment is von Lipwig being swept through the post office corridors in a torrent of letters. "
Going Postal, The Independent
" There are appropriately scary villains, some lovely special effects, including a tsunami of undelivered letters that pursues Moist through the corridors of the old Post Office "
Going Postal, MyReview.com
" When going through the supplementary material, I was surprised that they had only built one Clacks tower and it really shows how good the CGI was that it looks as if there is a whole system of them dotted around the Hungarian (or should that be Discworld?) countryside. "
Going Postal, Sue de Beauvoir - producer
"Well, it got the highest ratings of any Sky drama and the reviews without exception raved about it. As one of the Execs at Sky this week said to me, no-one can recall any drama in the UK getting across the board good reviews. It is a first. One of the things commented on in most of the reviews is the high production values of the show, and that is down to all of you and your teams without whom we could not have achieved this. So please pass on my thanks to everyone in your department for helping make GP a resounding success."
Invictus, studiodaily.com
"As a result, says Owens, Invictus was probably one of the biggest rotoscoping jobs in the history of cinema. Not only did the players have to be rotoscoped to put them in a virtual stadium, but now their jerseys, socks and, occasionally, visible skin had to be rotoscoped."
